NaPoWriMo #1 Shuffle a Poem
We now interrupt your regularly scheduled Jazz and Poetry Blog for NaPoWriMo or National Poetry Writing Month. I'll link you to the prompts so you can try them yourself. Somewhere in the mix I'll get around to a Doo-Nanny decompression blog too, but until then...
Diamond Joe - Screaming Js
G.I. Jive - Johnny Mercer
Jump Jive 'n' Wail - Brian Setzer Orchestra
Moonglow - Willie Humphrey & Brian O'Connell
Bring it with You When You Come - Cannon's Jug Stompers
For the love wary...
Pulling tight his purse strings
at the wailing of a heart,
Diamond Joe owned the prairie
hiring men lost and weary.
Cities grew across the land
Wiping out the cowboy song,
And lovesick ones on their knees
Uncle Sam then shipped o'r seas.
But G.I. jive is rough
without a heart to hold you,
No joyous jump jive 'n' wail
but a hard and lonesome trail.
So before you let her leave
Bandage up your broken love,
Bring it with you when you come
Let some moonglow heal your home.
Read the writing prompt at ReadWritePoem.org
(I can't help but think this ends up making more sense if you know the lyrics to all the songs included.)
I love a piano
I have an addiction to piano players. I admit it. I first fell before I even started school. Bernard was in my Saturday composition session with my best friend Kristen Austin at Mrs. Nibbelink’s house. By the time we started first grade this meant games of chase around the playground at recess until I switched schools in second grade. Later, I would finally hear him play at a high school vocal jazz competition where both of our schools were competing. I remember how he made my heart flutter when he played and then sink when I saw all the girls from his choir draped around him in adoration. We said hello, spoke of what a great teacher Mrs. N was, and that was it.
I won’t go into detail about all the moments since then, but there have been enough to make the pattern clear. I think it has something to do with that old routine of the female vocalist with a man on the piano. There’s something very intimate about a well matched set. I’ve met a few of those too. In fact one of my favorite moments of the Sacramento Jazz Festival in 2008 was the piano and vocals series on Sunday morning. Listening to John Sheridan and Becky Kilgore together was a dream. Both of them were so tasteful and complimentary to each other that the time flew by seamlessly. They played with each other and for the audience at the same time.
There are several excellent teams in Asheville that have been around since before I landed in town such as Evans & Coppola, Sharon LaMotte & Bill Gerhardt, Stephanie Morgan & Chuck Lichtenberger, and Vendetta Crème & Aaron Price to name a few. Each pair has their own style and special flair that sets them apart in what they do. While it’s always a pleasure to listen to them, there’s still this longing that someday rather than prince charming riding up on a horse, my dragon at the piano might appear. Oops, careful what you wish for…
Now I can’t really call this fellow “my” anything because he will never belong to me or anyone else but himself. However, when he plays a piano I can’t help but dance and sing. When we first met I handed him a book on Jelly Roll and two CDs filled with Scott Joplin, Fats Waller, & Jelly Roll Morton. He immediately aimed for Crazy Chords aptly named for somewhere in the neighborhood of 17 chord changes in the first section alone. He was learning this by ear as well, no chart. Might as well tackle the hardest one first I suppose. That’s what I would have done. Over the next several years we filled the house with music, collecting records and inviting the best players we could find to join us bringing the old tunes back to life in our mountain hideaway.
However, there are no happily ever after stories about paper bag princesses and piano playing dragons, at least none that I’ve read. Dragons prefer their freedom, and paper bag princesses are used to doing things their own way without appearing ladylike. In short, there’s a lot of fire and little willingness to compromise. This makes for exciting music, but a very unstable home.
It’s been over a year since our mountainside in Tryon literally caught fire (not by our doing amazingly). The home has foreclosed and we’ve had several months of separation in different cities this winter conveniently missing each other. But, the word keeps reaching my ear that he’s returning. I’ve seen the signs in complicated dreams, getting caught behind a Reese trailer, or just being tormented by Reese’s peanut butter cup commercials. I’ve even had people ask, “When are you going to bring that piano player back?” as if I had any control over his doings. Asheville has missed the fire of the passion that Reese Gray puts into his music and inspires in the musicians around him. Now that the deep freeze of winter has passed, things are about to get hot. “If you can’t stand the heat, stay out of the kitchen,” they say (whoever they are). If you see me running off to the west into the sunset after next week, you’ll know why, but send me the recordings because I love all that jazz.
Here's one that someone uploaded to YouTube from Berlin, Germany on New Year's Eve while he was away:
Fresh Hot Demo Tracks
Spread the word! Look for us out and about this summer once the Poetry Alive! season winds down.
Daryl Ryce Interview
I had the pleasure of interviewing Daryl Ryce recently for the Tryon Daily Bulletin. I used to repost the articles on my blog as well, but times being what they are I recommend picking up a copy of the paper yourself or checking them out online. I can tell you that the conversation we had led to a very interesting article that brings to light tidbits of information you won't find by typing her name into google.
If you happen to be in Tryon on a Saturday night there's a chance you can catch Daryl live at the Lilac Wine Bar.
I'm told the article was to run last Friday, March 5 with photos taken by Sam Lovelace at the Nina Simone Statue Dedication Concert.
Rhythm Rascals
This picture comes from April 2008 after a Firecracker Jazz Band show in Greenville, SC. After I'd danced to these two rhythm monsters, along with one more buddy, we found ourselves escorted to front row seats at the Brown Street Theatre for Wanda Johnson. Later we found our way down the road to the pool hall for a game or two to wind down. All in all it felt like a charmed night. I remember thinking at the time that a couple of pals like these were the ideal rhythm section for any band. We were friends, never lovers, and all about keeping the music hot.
They did continue play together for the next two years in not only the Firecracker Jazz Band, but also The Screaming Js. Where ever they were playing I was sure to be dancing if I could make it. Finally, with a big kick from a friend three weeks before she left this planet for good, I pulled my nerves together enough to record a short demo with the two of them playing the hot jazz I love the most. The day seemed magical as we sat down and recorded just about everything in one take. It was like we'd played together for years. I suppose in a way we had, but never those songs. It was recorded just in time to bid farewell to a dear friend. As I listened to the final mixes today, the blurry headed fellow on the right is following the trail to the west coast to seek his fortune. I wish him all the best, but can't help but hope we'll all be reunited one day soon to make some more musical mayhem together.
No regrets, keep moving for the win.
Visiting with Nina Simone
Here's one of the pictures Andrew Fletcher took of me at the end of Nina's big day when we finally had a moment to sit down and chat. I felt like a princess visiting with the queen.
Somehow celebrating Nina's return with my extended family of the Tryon community was enough to put my mind at ease for missing the memorial for my slam family sister.
Perhaps it was the doves let loose circling above reminding me that some spirits just have to soar.
Taking Flight
No pennies in the pocket
Hair blowing in the wind
Smiling wide as a whale
Happy passenger.
Hot red convertible
Caresses mountain curves
Blaring jump jive jazz
Dashing driver.
Landing lightly
The town opens its door
Welcoming music lovers
Playing promises.
Holding court
In the center of town
The High Priestess of Soul
Finally home.
Gathered together
A community of believers
Whisper prayers of faith
Doves fly.
May we all soar with her song & remember that you never walk alone.
Bunny Up
What I didn't know when I wrote the blog "Fire" was that roughly 16.5 hours later Gabrielle would leave her body to rest on this earth and the fire she shared in the hearts of the many people she touched in her time on this planet. It's been over a week now and I still haven't found the words to express how that felt or what it meant to have a friend like her in my life, but I'm going to make an attempt.
What I did know that night was that we had exchanged text messages about 8 hours earlier and she insisted I wait to send her tracks from the demo she challenged me to create until I had the final polished CD to mail her. I knew I was up against a deadline when I'd left her in Austin at the ER at midnight January 9. However, she said with a
, she knew I was excited, but it would be worth the wait. I wonder if she knew she would be gone, but had already heard the melodies drifting into her dreams the same way I felt her fire that day spinning my world through a barrage of phone calls into a new direction.
I met Gabrielle in the swirl of the Seattle Poetry scene. Before she was multimediagrl she was the mothership on my email and chat lists. When I left Seattle to tour with Poetry Alive! Gabrielle jumped on board the Slam committee with Allison Durazzi and Paula Friedrich to make my dream of a National Poetry Slam in Seattle become a reality. She was always the one with the fire to get things done.
Unlike my older relatives who have left this world, Gabrielle was someone I actually lived with in the crazy condo on First Hill lovingly referred to as the Purple Palace. I don't share space well with other people, as anyone who has lived with me can tell you, but we had a lot of fun together. The summer of 1998 we went out nearly every night I was in town. Always dressed in something that sparkled, we'd find our way to the OK Hotel first to finish painting our nails with glitter over one of Raymond Kempe's Bloody Marys and watch who came in before it was too crowded to see anything but the performers lit up on stage. We shared a passion for cheering on our favorite musicians and poets. We also shared scars from loving those who knew how to use, but not how to feed, a muse. Cat O'Sullivan and Ciro Viamontes joined us in the healing process that summer which culminated in spending an entire day building a sweat lodge in order to cleanse ourselves of baggage. That's powerful medicine that can only be explained through experience.
Even after I sold the Purple Palace to move to Asheville, NC we kept in contact regularly. I kept up to date with the National Slam community vicariously through her. She would brainstorm career moves with me as she left Seattle to return to Buffalo and eventually relocated to the heart of her Slam Family in Austin.
Where ever my wounded heart feared to tread she would boldly go to make things right. We shared the heartache of flying across the country to make real a long distance relationship only to discover the girlfriend at home. We also shared the belief that the creative work was more important than the failed attempt at true love and at least one of us could salvage that at times. She was better at doing that even to the end with the most recent musician/roommate to turn my world upside down. When everything stopped working, Gabrielle was there encouraging each of us back on our feet toward success rather than self destruction. Conveniently, she only had to deal with one of us in town visiting her at a time.
Most importantly, she had a great sense of the big picture. My last days visiting with her included being the sounding board. She was mapping out a master plan for providing a thriving framework for the tribes of artists she so dearly loved. It leaves me feeling that she didn't so much leave us behind. She simply needed to escape the body worn down by living enough for three people each day so that her spirit could stretch to reach us all.
Known for hosting the Erotica Slam at Nationals in her sequined dress with bunny ears, Bunny Up became Gabrielle's code when the pain was bad. In her last days, the widespread love of her extended family became obvious in the bunnification of facebook profile pictures. When she left us, the network of all that love suddenly felt like a fragile spider's web in a wind storm. She laid out the road map though and gave us the code. Bunny Up. Love something, even if you have to start with learning to love yourself.
Fire
See the flames alight in my hands
radiating out from my heart
holding Gabrielle's words
singing the song of creation?
Hop to it,
lift up your head
open your mouth
speak love
& live.
I love you,
wendi
p.s. In the mid 1990's I was fortunate to spend a few years singing with Shades of Praise. I've had a version of "Fire (shut up in my bones)" that our director Cora Jackson taught us in my head this evening. I couldn't find that for you to hear, but I can recommend her first album to you here: Original Praise.
Here are a few other things I found along the way to share:
Jeremiah 1:5, “Before I formed you in the womb I knew you, before you were born I set you apart; I appointed you as a prophet to the nations.”
Jeremiah 17:9, “The heart is deceitful above all things and beyond cure. Who can understand it?”
Jeremiah 29:10-11, “This is what the LORD says: ‘When seventy years are completed for Babylon, I will come to you and fulfill my gracious promise to bring you back to this place. ‘For I know the plans I have for you,’ declares the LORD, ‘plans to prosper you and not to harm you, plans to give you hope and a future.’”







